Fashion Collaborations
Heritage and Hands, Hollis Maxson
2025
A Daughter’s Farewell, Lily Arnold
2026
Fading Landscapes, Jacy Dillon
2026
Heritage and Hands
Heritage and Hands, designed by Hollis Maxson, is a fashion collection rooted in craft traditions of rural Appalachia. This collection explores what it means to create functional clothing that balances utility with regional artistic heritage. Inspired by the generational mastery found in communities like Berea, Kentucky, the garments allow the physical inputs of traditional craft—such as quilting and weaving—to directly inform their structure and design. Built on a foundation of land stewardship and grassroots organizing, the collection honors the complex, matriarchal lineages of the rural South while inviting a necessary reckoning with the places we call home.
As the textile artist behind the collection's palette, I worked alongside Hollis to cultivate a color story that reflects the physical reality of Appalachian craft. My process began with extensive color testing, carefully adjusting natural dye recipes to match our reference tones and build a cohesive visual narrative. Translating these samples into production required preparing each natural dye vat from scratch to ensure consistent color quality. By managing the chemistry and physical demands of the vats, I hand-dyed the entire run of yardage to ground the garments in traditional, tactile craft.
A Daughter’s Farewell
Designed by Lily Arnold, "A Daughter’s Farewell" is a deeply personal fashion collection that explores the tension between heritage, adoption, and grief. Drawing inspiration from ancient Chinese ritual bronzes and traditional mourning attire, the garments utilize intricate knit structures—like raised cable stitching—and a deliberate shift from black to white to construct a symbolic narrative of loss and remembrance. The collection serves as an artistic vehicle to bridge the gap between past lineage and present identity, navigating the complexities of ancestral connection.
My work on this collection focused on developing a precise color gradation using natural indigo, a process that directly parallels my senior thesis work. Lily wanted a fluid transition of color to serve as a structural design element across her garments, which I achieved through carefully timed, layered dips in the indigo vats. Beyond the immediate visual gradient, the decision to use a living, natural dye was an intentional conceptual choice: as natural indigo subtly shifts and fades over time, the fabric itself mirrors the evolving, non-linear nature of grief and memory.